Browse some recent Origin Reviews.
Corey Christiansen - Factory Girl
by , JAZZIZ
While it's not exactly a new concept, jazz artists have been increasingly mining traditional blues and Americana for raw material. Following his 2013 release Lone Prairie, guitarist Corey Christiansen returns to this fertile soil for Factory Girl (Origin), updating songs that set the template for modern American pop and rock, as well as contributing original compositions that play with these conventions. Christiansen... read more
Delia Fischer - Delia Fischer: Beyond Bossa
by Mariana Peixoto, Estado de Minas Cultura (Brazil)
Delia Fischer, 60 years old with a 40 year career, has an outlier trajectory. A pianist by training, she soon embarked on an instrumental path. Later, she arrived at musical theater. She worked a lot, but there was professional dissatisfaction in the air. This issue was only resolved when she started singing her own songs, which effectively happened in 2010, with "Presente", her second solo album.
The recently released "Delia Fischer Beyond... read more
Metropolitan Jazz Octet - The Bowie Project
by Tom Haugen, Take Effect
The Chicago ensemble Metropolitan Jazz Octet joins forces with the vocalist Paul Marinaro for this very well crafted listen that illuminates David Bowie's work with much creativity.
The aptly titled "Slow Burn" opens the listen with the soulful, emotive brass meshing with Bob Stutter's warm keys and Rob Rummage's firm drums in the very dreamy climate, and "5:15 The Angels Have Gone" follows with Marinaro's expressive vocals being complemented... read more
Lynn Bush with New Stories - Still Life
by George W. Carroll, ejazznews
Well......I can make the following statement with a certain conviction: Lynn Bush is an inveterate romantic! Her choices of cover tunes, the evidence. Her 'Dreamsville,' 'Like A Lover,' & 'A Time For Love,' were stunning. It still amazes me in all my years as a veteran composer of original songs (some 3000 now), how symbiotic the relationship is between a vocalist who is willing to take musical chances, and a strong presentation jazz... read more
Human Spirit - Dialogue
by Bill Milkowski, Jazz Times
Trumpeter Thomas Marriott joins alto saxophonist Mark Taylor, pianist Orrin Evans, bassist Essiet Essiet and drummer (and Origin label head) Matt Jorgensen on this solid, cooperative live album. Marriott and Taylor make a formidable frontline on such modernist fare as Jorgensen's turbulent "Ridgecrest," Marriott's uptempo "Song for Samuel" and his blistering hard-boppish romp "Pelham Gardens." The band settles into a soulful groove on... read more
Ben Patterson - Push the Limits
by Chris Spector, Midwest Record
A spark plug in several big bands of long standing, the bone man really fans the flames when he kicks it out on his star turns with his own crews. Opening this proceeding with an original 10 minute tour de force, Patterson brings it hot and heavy making his mark and tattooing your ears. A really fierce cat that ain't afraid to use his claws. Hot stuff... read more
John Gunther - Painting the Dream
by George W Harris, Jazz Weekly
John Gunther plays soprano and tenor saxes, flute, bass clarinet and electronics on this pastel'd trio session with Dawn Clement/p-key-el-voc and Dru Heller/dr. Gunther employs Clement's cirrus voice in a number of the pieces as an extra texture of gentility, as his soprano blends with her around Heller's cymbals on "Mother Juggler" while his tenor is a great foil on the hazy "Two Steps Forward". Clement's piano is lovely in her accompaniment on... read more
Rodney Whitaker - Outrospection: The Music of Gregg Hill
by Paul Simpson, The Answer Is In The Beat, WCBN
Rodney Whitaker, a Detroit-born musician and Professor of Jazz Bass and Director of Jazz Studies at Michigan State University, arranges several compositions by Lansing's Gregg Hill, with musicians from MSU's jazz faculty. The record was made under COVID lockdown with all the musicians socially distanced in different booths, but it still sounds cohesive. Whitaker's daughter Rockelle, who has a deep, sultry voice in the tradition of all the... read more
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