Browse some recent Origin Reviews.
EEA - The Dark
by Thomas R. Erdmann, Jazz Review
EEA is constructed of three members from the Program for Improvisational Music at the University of Nevada-Reno. Saxophonist Peter Epstein earned his Bachelor's degree at the California Institute of the Arts and his Master's degree was earned where he currently teaches. During his professional career he has worked with artists like Bobby Previte, Brad Shepik, Ralph Alessi, Michael Cain, Ravi Coltrane, Mike Stern and Jim Black, to name a few.... read more
Ben Patterson - The Way of the Groove
by Peter Tijerina, Trombone Journal
If you are looking for a single collection of fresh, new, groove-based tunes and are a fan of jazz, funk, and rock, look no further than "The Way of the Groove." Ben Patterson, a master trombonist, composer, arranger, and former long-serving member of the Airmen of Note, brings forth a delightful album with his latest release. Featuring all original compositions and an outstanding band, listeners are sure to savor this exciting new... read more
Phil Kelly - Ballet of the Bouncing Beagles
by Harvey Siders, JazzTimes
Phil Kelly -- crusader for canines, patriarch of puns, scholar of scoring -- has once again assembled an all-star collection of sidemen and soloists who can sight-read and improvise from some of the most complex charts in all Jazzdom. The mere fact that the likes of Pete Christlieb, Bill Ramsay, Jerry Dodgion, Jay Thomas, Grant Geissman and Gary Hobbs can be persuaded to leave the chummy confines of their studio or teaching gigs and convene in a... read more
Ben Thomas Tango Project - Eternal Aporia
by Angela Ballhorn, Jazz'n'More (Switzerland)
Sometimes life takes strange paths with you, Ben Thomas would not have thought 15 years ago that his passion for tango dancing and the resulting interest in music would lead him to this tango project. Thomas lays down melodies and rhythms in his compositions on both the vibraphone and the bandoneon, his melodic companions on the violin and clarinet play along enchantingly, while the bass sets clear rhythmic accents. All the elements of tango are... read more
Matt Jorgensen +451 - Quiet Silence
by Adam Greenberg, All Music Guide
In his sophomore album, Quiet Silence, drummer Matt Jorgensen shows off an incredible hand at both composing and arranging, as he moves effortlessly through piece after piece mixing the old and the new with his band 451, a collection of busy Seattle players. In what's perhaps been the most notable shift on the album, Marc Seales' usual piano is replaced by a nice Fender Rhodes, which works out surprisingly well under his fingers, as can be noted... read more
Diverse - Diverse
by Brian Shaw, International Trumpet Guild
The core of Diverse was initially composed of four young musicians who were enrolled at the University of Missouri-Kansas City Conservatory of Music and Dance. After winning the 2008 Gene Harris Jazz Competition in Boise, Idaho, the quartet became a quintet with the addition of pianist John Brewer. This, their debut recording, documents a collaborative collection of all-original material written by members of the group and showcases each... read more
Jordan VanHemert - Deep in the Soil
by Tom Haugen, Take Effect
The alto-sax extraordinaire Jordan VanHemert is in some fine company here, where 8 swingin' tunes that take influence from the almighty Charlie Parker don't disappoint.
The bright sax and frisky drums from Lewis Nash guide the opener, "Call To Order", and "Sounds For Sore Ears" follows with Terrell Stafford's glowing trumpet and Helen Sung's intricate keys helping cultivate plenty of melodic, rich song craft.
Halfway through, the intimacy... read more
Trio Linguae - Kevin Woods / John Stowell / Miles Black - Signals
by Frank Kohl, Cadence
A very pleasant surprise and joyful treat to hear this trio without bass and drums. Three of the most able-bodied, spontaneous communicators in Jazz converse through six originals and five covers. "Signals" begins with Kevin Wood's beautifully written "Few Regrets". A rubato opening with John Stowell's pristine nylon string melody statement leads to a strong chord progression intro. Kevin Woods takes over the melody and then takes the first... read more
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