Browse some recent Origin Reviews.
Paul Tynan - quARTet
by Dan McClenaghan, All About Jazz
4-STARS Trumpeter Paul Tynan's offering for 2019 is entitled quARTtet, emphasis on the capitalization of the embedded word "art."
Jazz recordings have a long history of pairing up with the visual arts, especially in the realm of album and CD cover images: The paintings on Charles Mingus' Mingus Ah Um (Columbia, 1959); all of pianist Dave Brubeck's "Time" recordings of the late 1950/early 1960s; and drummer Chico Hamilton's Ellington... read more
Scott Reeves Quintet - The Alchemist
by Thierry Docmac, Paris Move
This is an album that could be described as a "document", reflecting a brilliant performance produced in 2005 by the masterful Scott Reeves Quintet, with Russ Spiegel, Mike Holober, Howard Britz, Andy Watson, and Scott Reeves on Alto Bugle, Piston Alto Trombone and Electronics. This is a new concert by the Scott Reeves Quintet, particularly sophisticated, in which we find a particularly cozy atmosphere, that of the City College of New York.... read more
Jon Hamar - Idyl Wild
by Dave Sumner, emusic
Likable quartet session from bassist Hamar, who runs with the double saxophone attack of tenor man Rich Perry and altoist Todd DelGiudice. With Julian MacDonough rounding out the rhythm section, it?s a nice set of straight-ahead jazz. Some post-bop burn, some hard bop bounce, and tracks that keep throwing pitches within the strike... read more
Idit Shner & Yumiko Endo Schlaffer - Fissures: 20th Century Music For Saxophone And Harp
by C. Michael Bailey, All About Jazz
Multi-reedist Idit Shner made quite a splash with her debut recording, Tuesday's Blues (OA2, 2009). On that album, Shner led a straight- ahead quartet through some not so straight-ahead arrangements of traditional Jewish music. On Fissures she joins harpist Yumiko Endo Schlaffer in presenting 20th century compositions for saxophone and harp. The format is not so different from the classical violin sonata (pairing the violin with piano). That... read more
Thomas Marriott - Urban Folklore
by Thomas Conrad, JazzTimes
Editorial Pick Thomas Marriott would be better known if he had stayed in New York, where he was a respected trumpet player on the scene in the early years of the new millennium. Instead, for quality-of-life reasons, he returned to his hometown of Seattle, where he has assembled a substantial body of work on the local label, Origin. Marriott usually records with Seattle's best players, but here he employs a name-brand East Coast rhythm... read more
Hal Galper / Reggie Workman / Rashied Ali - Art-Work
by Geoffrey Himes, Sonic Boomers
The 100 Best Albums of 2009
Hal Galper joins John Coltrane's final rhythm section (bassist Reggie Workman and drummer Rashied Ali) for a jazz piano trio concert that never loses its pell-mell tumbling momentum even as it stretches the harmonies of tunes by Duke Ellington, Miles Davis, Charlie Parker and Galper himself into shapes the composers never dreamed... read more
Matt Vashlishan - No Such Thing
by Adam Greenberg, All Music Guide
Built mostly while studying at the Eastman School, No Such Thing is a collection of ideas in the realm of young jazz, just walking the line between keeping up with the transcriptions of the greats and forming entirely new ideas. Matt Vashlishan holds court for the majority of the album on a mix of alto and soprano sax work, quietly finding the right mood and delivery style for each composition (most penned by Vashlishan himself). He croons his... read more
Dawn Clement - Delight
by Thierry De Clemensat, Paris Move
A Bold and Intimate New Album from Pianist and Vocalist Dawn Clement, Releasing on Bastille Day.
There are artists who quietly chart their course through the contemporary jazz landscape, and then there are those, like pianist, vocalist, and composer Dawn Clement, who illuminate it. For more than two decades, Clement has been crafting a distinctive voice, intellectually sharp, emotionally resonant, and rhythmically enthralling. Her... read more
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