Origin Records Reviews



Paul Marinaro - Mood Ellington
by Dave Oberhelman, Chicago Daily Herald

Chicago jazz singer Paul Marinaro's prior full-length record, on which his baritone voice supported the Metropolitan Jazz Octet, was "The Bowie Project," a collection of covers of the iconic British rock star David Bowie.

Marinaro's current project, "Mood Ellington," tackles another legendary band leader, Duke Ellington, arguably the greatest American jazz composer.

"Mood Ellington," which will have Saturday and Sunday, Jan. 24-25, record... read more

Rich Thompson - Generations
by Ric Bang, Jazz Scan

As this album?s title suggests, trios have been a mainstay in jazz for, well, generations. It?s a lot easier to gather simpatico musicians into a trio, than into a larger group. It?s an affordable combo; small clubs can?t foot the bill for larger groups. It also isn?t necessary to write the special arrangements required by bigger bands.

Rich Thompson?s trio is one of the newest.

Thompson?s career began in 1980, during the period when... read more

Dawn Clement - Delight
by Mark Griffith, Modern Drummer

The piano trio of Dawn Clement, Buster Williams, and Matt Wilson have found a nice musical foundation to stand on and a nice atmosphere to live within, and that foundation and atmosphere are a Delight.

If you think you know where the performances on the opener "Outstretch" or "Alone Together" are going, keep listening (and be pleasantly surprised.) "Monk's Dream" is probably closer to what you were expecting from this trio. Clement has a firm... read more

Tom Collier - Impulsive Illuminations
by Chris Lunn, Ancient Victorys

Vibraphone, marimba, and percussionist Collier expands his recording collection. Here he has just five tunes, 10- to 17- minute cuts, each featuring a valued musical companion. Richard Karpen joins him on piano on each of the cuts. "Impulse Illuminations" is a 15-minute collaboration with electric guitarist Bill Frisell. Piano opens quietly in the mid/low range, descends a bit then gets bold and avant. Vibes touch over the top along with... read more

Brent Jensen with The Acoustic Jazz Quartet - The Sound of A Dry Martini
by Dave Nathan, All Music Guide

Educator, clinician, and A-one alto sax player, Brent Jensen honors one of the most self-effacing musicians in the history of jazz, Paul Desmond. The title comes from Desmond's ambition to "sound like a dry martini," probably very light on the vermouth. There are many "Desmond-isms" that he liked to use to describe his work. On the secret to his unique tone, he said "I honestly don't know! It has something to do with the fact that I play... read more

Amit Friedman - Unconditional Love
by JEAN-CLAUDE VANTROYEN, Le Soir (Belgium)

A jazz of today which swings, which grooves, with enthusiasm and who does not ask too many questions. In quartet with Tom Oren at the piano, Gilad Abro on double bass and Yonatan Rosen on drums, plus an oud, a singer and a singer for two pieces. Everything is from Friedman's pen, except "Junk" by Paul McCartney. And if it is sometimes nostalgic, with the memory of his father, who died in 2017, to whom the album is dedicated, the album is marked... read more

Dave Slonaker Big Band - Convergency
by Jonathan Widran, JW Vibe

It's been almost ten years since the Dave Slonaker Big Band earned a Best Large Jazz Ensemble Grammy for their critically acclaimed debut album Intrada - but the extreme amount of time between that classic and the group's latest Convergency is understandable.

When he's not writing, arranging and conducting his tuneful, vibrant and swinging compositions for the Big Band, he's busy as one of the top arrangers and... read more

Phil Kelly - Convergence Zone
by Jack Bowers, All About Jazz

A 'convergence zone' is where winds from all over gather together to blow up a storm, which is an entirely appropriate metaphor for this tempestuous new album by composer/arranger Phil Kelly & the NW Prevailing Winds except that Kelly not only has those formidable winds at his command but muscular brass and rhythm as well.
The tornadic uproar begins with Kelly's tongue-in-cheek "Damp Brown Places" (apologies to Stephen Foster) and doesn?t... read more

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