According to Jessica Williams' liner notes, it's a bit of a miracle that this CD even exists. In the last couple of years she has had to deal with the collapse of her lumbar spine and extensive reconstructive surgery, leaving her in a state where she wasn't sure if she would even walk again much less play the piano. Given all that, the fact this solo recital is all at slow tempos is completely understandable. Within that framework her playing... read more
And let's go with jazz, let's go with Carlos Vega. And I'm not referring to the renowned drummer, but to the accomplished saxophonist from Miami, Florida, and, importantly, with Puerto Rican DNA.
The Latin footprint is nothing new in his short solo catalog, composed by Bird's Ticket (2016) and Bird's Up (2017), but it is a natural "up", as is expected in at least most musicians who propose themselves to record a phonographic... read more
LIVE REVIEW: OTTAWA JAZZ FESTIVAL
June 22: Joel Miller Quartet, Ninety Miles and The Fellowship Band - If the first night of the festival was only tangential in its relation to jazz, the second night was proof that the Ottawa Jazz Festival is committed to bringing top quality jazz to the big stage at Confederation Park; they couldn't have put together a better triple bill. Still, if Canadian saxophonist Joel Miller, the all-star... read more
The "Rising Star" status isn't confined to fresh music school graduates. Dr. Anthony Branker, Educator - who, for twenty-seven years, was engaged in a big way with Princeton University's jazz program - has achieved a recent "rising star" tag as a composer. This after releasing seven top notch CDs for Origin Records, including the masterful Uppity (2013).
"Composer/Musical Director" is Branker's title on his recordings. He doesn't... read more
The D.C. guitarist Shawn Purcell is surrounded by some excellent players for these 10 originals that embrace fusion, post-bop and balladry.
The quick and dynamic title track starts the record with Walt Weiskopf's animated tenor sax amid Jeff Reed's swift bass, and "Quiet The Chaos" follows with a softer approach, as Chris Ziemba's graceful keys are met with Purcell's skilled guitar synth and wordless vocals from Darden Purcell.
"Gentle... read more
The music on Constraints & Liberations operates and resides in that state between dreams and reality. The record slowly simmers with a restrained intensity and rarely comes to a boil.
The soloists are stellar and never fail to tell engaging stories. Thomas Marriott's trumpet sound is as lush and inviting as it comes. "Up From Under" and "Clues" give him plenty of room to slowly stretch out, like a tall man coming to from a deep sleep and... read more
CDs RECOMENDADOS
Abril de 2012
****1/2 Stars
Por motivos que, com toda a certeza, se prendem com o seu empenho na �rea do ensino e com o seu papel enquanto pensador do jazz - o sintomaticamente intitulado "Forward Motion", um manual da improvisa��o da sua autoria, resulta exatamente dessa sua dedica��o � aprendizagem do jazz -, Hal Galper �, quanto a mim, um dos m�sicos mais injustamente negligenciados nas �ltimas d�cadas.... read more
Whereas many of Chicago's jazz and blues guitar icons seem to channel the dark alleys and the bar sign neon of the city through their instruments, John Moulder's sound is more akin to a synthesis of the lakefront -- a beauty and serenity that is just as likely to show a face of fury and cold precision. For some time now, Moulder has quietly been developing his sound into something quite unique. The Eleventh Hour provides the opportunity to hear... read more
This is just a small collection of the Origin Records reviews. Click here to view all reviews or try to Search for your favorite CD title.
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