Delight

Clement made last edition's honourable mentions; in just the first three tracks here, she goes from fiery modern piano trio leader to utterly satisfying Monk interpreter to vocalist. For the rest of an album that flies by, she alternates between singing with a touchingly honest capture and continuing to bring the heat on keys. I dig "Tokudo", a tune from the bassist Williams that he's previously played with the likes of Charlie Rouse and Kenny Barron.