Origin Records Reviews



Anthony Branker and Word Play - Uppity
by Ken Franckling, Ken Franckling's Jazz Notes

A medical condition that led to a seizure and two brain aneurysms in 1999 forced jazzman Anthony Branker to give up the trumpet, but not his talents as a conceptualist and composer. (He is also an educator ? the founder and director of the jazz studies program at Princeton.) His newest release, featuring his all-star sextet Word Play, is both beautiful and provocative. Favorites: ?Three Gifts (from a Nigerian Mother to God)? and the title track... read more

Karrin Allyson - A Kiss for Brazil
by Eg'dio Leitão, Música Brasileira

A Kiss for Brazil is not Karrin Allyson's first incursion into Brazilian music. I would not need to list her previous albums here to convince you she truly has an affinity for the Brazilian songbook.

Karrin Allyson (1962, Great Bend, Kansas) does not shy away from singing in Portuguese or choosing a less obvious repertoire from the Brazilian songbook. Her 1999 From Paris to Rio album first caught my attention. The CD had several Bossa Nova... read more

Nanami Haruta - The Vibe
by Willard Jenkins, Album Liner Notes

Unlike other members of the family of western instruments, the ranks of the trombone are a bit exclusive—perhaps even more exclusive in the art of the improvisers, the jazz landscape. Which is yet more reason to celebrate the arrival of a new trombone voice in jazz music. Her name is Nanami Haruta and she arrives at this debut recording moment from Sapporo in the Hokkaido prefecture, the northernmost of Japan's main islands. Hokkaido is known... read more

Nick Finzer - The Chase
by Dan Ouellette, Downbeat Profile

Trombonist Nick Finzer, 27, keenly recognizes the ebbs and flows of the jazz idiom. He appreciates its fluidity as pop music melds into the straightahead language of the jazz legacy. But he's taken a different road for revitalizing the heritage of jazz for the modern age.

"I don't want to abandon the tradition," said the tall and slender Finzer, who plays his instrument with a combination of fat-sound power and rich lyricism. "I want to... read more

Jack Mouse - Range of Motion
by John Lane, Percussive Notes

For decades, Jack Mouse has been a sideman for a long list of jazz greats, but Range of Motion represents his debut as a leader. Collaborating with several other Chicago-based musicians (Art Davis,trumpet; Scott Robinson, woodwinds; John McLean, guitar; Bob Bowman and Kelly Sill, bass), he has put together a terrific set of his original compositions.

Mouse?s high-energy and surehanded drumming is displayed front and center, but this is not... read more

Richard Sussman - Live at Sweet Rhythm
by Kyle O'Brien, Oregon Jazz Scene

Pianist and composer Sussman has gotten the band back together. The band here is called the Free Fall Reunion Band. "Free Fall" was the 1978 album that the group recorded together, which reviewed well in Down Beat. The members of the group went their separate ways, including Sussman, who became both a synth and piano sideman and also an educator at the Manhattan School of Music. In 2003, the group reunited for a gig in New York, and the... read more

speak - Speak
by Ian Patterson, All About Jazz

Former students of the jazz program at Washington University, Seattle, electric bassist Luke Bergman, drummer Chris Icasiano, keyboardist Aaron Otheim and saxophonist Andrew Swanson have clearly benefitted from the guiding hand of their professor, Cuong Vu, who guests on this fine debut recording, where the playing is as impressive as it is kaleidoscopic in range. All five musicians were brought up on rock and these leanings inform the music to... read more

Seattle Repertory Jazz Orchestra - Sacred Music of Duke Ellington
by Jack Bowers, All About Jazz

The Seattle Repertory Jazz Orchestra pours its heart and soul into these recent concert performances of Duke Ellington's sacred music, premiered by the Ellington orchestra in 1965, '68 and '73. It's a natural fit, as the SRJO was "born" in 1989 with a presentation of Ellington's sacred music as an ecumenical winter solstice event. Some members of the band stayed together, presented a second concert of Ellington's music three years later at the... read more

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