Browse some recent Origin Reviews.
Dmitri Matheny - Cascadia
by Tom Haugen, Take Effect
The flugelhornist Dmitri Matheny takes the company of Charles McNeal (tenor, soprano sax), Bill Anschell (piano), Phil Sparks (bass) and Mark Ivester (drums) for this timeless and exciting jazz affair.
The title track opens the listen with warm keys and soothing brass, as a very warm spirit enters the graceful climate, and "On A Misty Night" follows with playful bass and bright flugelhorn making for a crisp and dynamic album... read more
Bill Anschell | Brent Jensen - We Couldn't Agree More
by C. Michael Bailey, All About Jazz.com
By definition, the classical or jazz duo is the most intimate performance format. Intimacy requires two parties sharing with a base empathy. An example is Eddie Daniels and Roger Kellaway's A Duet of One (2008, IPO), where the two principles shared a great love for the mainstream and its sensitive presentation.
Enter west coasters, pianist Bill Anschell and soprano saxophonist Brent Jensen, with We Couldn't Agree More. This instrument... read more
Joonsam - A Door
by Izzy Yellin, Downbeat Magazine
Perfect for a rainy day inside, bandleader and bassist Joonsam's debut album, A Door, is an eclectic offering that documents the musician's past experiences in New York City. A classically trained bassist from Seoul, South Korea, Joonsam has lived in the city for nine years, having played various settings there. On his latest effort, he absorbs and expands upon the intricacies of each.
There's a strong emphasis on orchestration - each of the... read more
Bill Anschell - Shifting Standards
by Thomas Conrad, Stereophile
4 1/2 STARS All jazz fans love horns. It is therefore paradoxical that, if told they could keep only one ensemble format in their record collections, many would hoard their piano trio albums. There is a special magic to a superlative piano trio, a unique purity and balance. No wonder it is called the minimum complete jazz orchestra.
There is a superlative piano trio based in Seattle, Washington. On the evidence here, one of the best... read more
Dan McCarthy - Epoch
by Chris Spector, Midwest Record
Not your typical vibe record, this vibe player leans into improv in a big way and has a multi generational crew of like minded hell raisers along for his label debut ride. Riding that tip of music as art in that downtown kind of way, the open eared will enjoy this ride into impressionistic realms not previously considered. The next wave is upon... read more
Phil Kelly - Convergence Zone
by Stephen Fratallone, Jazz Connection
Composer and arranger Phil Kelly has written volumes of stuff during the past 40 years for recording artists, bands, symphony pops, film, television, and commercials and now at age 65, he has finally gotten around to write some music for himself. The fruit of his labors are on his debut CD for Origin Records, Convergence Zone: Phil Kelly And The NW Prevailing Winds.
Convergence Zone is an apt title for this project. A "convergence zone" is... read more
Dawn Clement - Delight
by Tom Haugen, Take Effect
The inimitable pianist Dawn Clement is joined by Buster Williams and Matt Wilson for these soulful 8 tracks of originals and covers.
"Outstretch", by Clement, starts and radiates dynamic interplay between thumping drums and lively bass, and "Monk's Dream", by Thelonious Monk, follows with the bright keys amid frisky drumming and bouncy bass lines.
Deeper into the listen, "Tokudo" uses Williams' animated bass alongside the colorful keys,... read more
Allison Adams Tucker - WANDERlust
by Paul Hormick, San Diego Troubadour
Allison Adams Tucker has assembled a cache of great songs, as well as a roster of stellar musicians, to create a truly exceptional recording. Her latest release, WANDERlust, fulfills all the requirements of a CD that I'll play again and again: verve, liveliness, and variety.
Tucker is a marvelous singer. A soprano, her voice is light and clear, yet she has a great deal of strength and power. Her intonation is exemplary. It is a delight to... read more
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