...one of the most brilliant and imaginative contemporary composers of mainstream jazz...stimulating and emotive original music with a rare blend of sophistication and organic spontaneity.
AVAILABLE IN VINYL (2-LPs)!
Not a stranger to the idea of infusing one's art with examinations of societal conditions, Grammy-winning trumpeter Charlie Porter follows 2019's Immigration Nation with thoughts of how we act in hindsight to deal with the collateral damage of "progress" and the centuries-old struggles with racism, inequality and corruption. Born during the upheavals of 2020, Hindsight reflects the tumult, uncertainty, and fiery emotions of the times, yet with the recent birth of his son, and thoughts of how we're going to leave the planet for the next generation, his "For Ellis" closes the album with a gospel choir and a hymn of hope. Joining Porter on the wide-ranging set of originals are saxophonist Nick Biello, pianist Orrin Evans, guitarist Mike Moreno, bassists David Wong & Damian Erskine, Behn Gillece on vibes, drummer Kenneth Salters, along with several guest performers.
"Porter's playing is fluid, expressive, and magnificent." - DownBeat
1. Tipping Point 5:49
2. Hindsight 7:00
3. Walking the Plank 6:51
4. Things Fall Apart 7:53
5. Requiem 7:38
6. In Short Supply 9:45
7. Going Viral 5:55
8. Paradise Lost 5:33
9. For Ellis 4:18
All music by Charlie Porter, Porter House Music (ASCAP)
(4) lyrics by Majid Khaliq
(6) lyrics by Madelaina Piazza
Charlie Porter - trumpet
Nick Biello - alto & soprano saxophones (1,6,8), keyboards (7,8)
Mike Moreno - guitar (3-6,8)
Behn Gillece - vibraphone (2,6)
Orrin Evans - piano/keyboards
David Wong - bass
Damian Erskine - fretless electric bass (4)
Kenneth Salters - drums
Jimmie Herrod - vocals (4,6)
Rasheed Jamal - rap vocals (6)
Majid Khaliq - violin (4)
Bassekou Kouyate - ngoni (African traditional guitar) (6)
Mahamadou Tounkara - ntama (African talking drum) (6)
Hallowed Halls Gospel Choir (9)
Executive Producer: Steve Alboucq / Produced by Nick Biello & Charlie Porter
Recorded by: Mike Marciano at Samurai Hotel, Astoria, NY on August 13-14, 2020;
Justin Phelps at The Hallowed Halls, Portland, OR on September 1, 2020;
Yaya Diarra at Studio Bogolan, Bamako, Mali on October 7, 2020
Mixed & Mastered by Mike Marciano at Systems Two, Long Island, NY
Cover painting: "Hindsight" by Mark Kostabi
Cover design & layout by John Bishop
Midwest Record (Chris Spector)
This high octane trumpet man never heard of laying out and here we find him trying to pack as many notes as possible into each byte, but it isn't blowing just for the sake of blowing. With some distinguished cats playing next to him just as hard, this is straight up jazz that gets you going. Always on point, this cat shows you the way to be a gas ...
All About Jazz (Paul Rauch)
4-STARS Portland based trumpeter/composer Charlie Porter is back, and following the trend industry wide over the past year, has released a finely crafted collection of pieces attached to a social narrative. Hindsight examines how we act in hindsight dealing with the long term societal struggles of racism, corruption and inequality. While two of th ...
Jazz Weekly (George W Harris)
Trumpeter and composer Charlie Porter leads a lyrical post bop team of Nick Biello/sax-key, Mike Moreno/g, Behn Gillece/vib, Orrin Evans/key, David Wong/b, Damian Erskine/b, Kenneth Salters/dr and various guests through a wide variety of moods. The Hallowed Halls Gospel Choir, for instance brings a reverent mood to the thoughtful "For Ellis" while ...
Jazz Trail (FILIPE FREITAS)
Possessing a refined compositional style and immersive sound, trumpeter/composer Charlie Porter reflects on the present times through a mix of mainstream and neo-bop that deftly combines familiarity and surprise. Hindsight, Porter's third album as a leader, finds him navigating great textures and ambiances with a core quartet - featuring pianist Or ...
CirdecSongs (Cedric Hendrix)
Trumpeter Charlie Porter fronts a high-energy band performing compositions that may remind one of Dizzy Gillespie or Freddie Hubbard in a post-bop setting, with the occasional electric overtones. The compositions contain intricate melodies with nicely interwoven lead lines. The band's rhythm section continuously pushing the boundaries normally crea ...