Peter Erskine & The JAM Music Lab All-Stars
ORIGIN 82910
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2x2: Galvao/Santiago/Landais/Enouf
“...mixing South American sensuality with serpentine lines making a delightful amalgamation of flavors. A real winner.”
Brian Blade
“The drummer of the future”
Danny Grissett
“...Grissett's performance is breathtaking—lush and beautiful while steering clear of cliché.”
Cuong Vu
“Listeners coming from jazz won't feel lost. Plenty of the genre's current obsessions are here: odd-meter rhythm patterns, slow soloing over fast rhythms (vice versa too), and a kind of bucolic lyricism. The point of Mr. Vu's music, at its best, is just that: to make you feel lost in it.”
Dominic J. Marshall
“[Marshall] brings together a great heritage of the past, but also something very fresh and new.”
Mattias Svensson
“The interaction between the three is excellent...rhythmically innovative (with) clever harmony skills and a never-ending desire to swing...”
Alex Graham
“Some of the great alto players, Charlie Parker, Cannonball Adderley, Phil Woods and even a touch of Johnny Hodges can be discerned as he works to extend the parameters of the horn...”
Metropolitan Jazz Octet
“...the best big-band era ambiance but with fewer instruments, played with aplomb... a timely representation of Chicago's finest jazz musicians.”
Ryan Shultz
“Lines of sustained lyric beauty, brawny embellishments, aggressive rhythms and brilliant technique attest to Shultz' expressive range....one of the most versatile players on the scene”
Jordan VanHemert
“The craft is tight, the feeling is refreshing, the sound is quick and precise...covering a full range of expressive energy.”
Bram Weijters
“Weijters' music is just a joy to listen to”
Doug Scarborough
“...Some of the most interesting, original music coming from anybody in a long, long time.”
“...mixing South American sensuality with serpentine lines making a delightful amalgamation of flavors. A real winner.”
Brian Blade
“The drummer of the future”
Danny Grissett
“...Grissett's performance is breathtaking—lush and beautiful while steering clear of cliché.”
Cuong Vu
“Listeners coming from jazz won't feel lost. Plenty of the genre's current obsessions are here: odd-meter rhythm patterns, slow soloing over fast rhythms (vice versa too), and a kind of bucolic lyricism. The point of Mr. Vu's music, at its best, is just that: to make you feel lost in it.”
Dominic J. Marshall
“[Marshall] brings together a great heritage of the past, but also something very fresh and new.”
Mattias Svensson
“The interaction between the three is excellent...rhythmically innovative (with) clever harmony skills and a never-ending desire to swing...”
Alex Graham
“Some of the great alto players, Charlie Parker, Cannonball Adderley, Phil Woods and even a touch of Johnny Hodges can be discerned as he works to extend the parameters of the horn...”
Metropolitan Jazz Octet
“...the best big-band era ambiance but with fewer instruments, played with aplomb... a timely representation of Chicago's finest jazz musicians.”
Ryan Shultz
“Lines of sustained lyric beauty, brawny embellishments, aggressive rhythms and brilliant technique attest to Shultz' expressive range....one of the most versatile players on the scene”
Jordan VanHemert
“The craft is tight, the feeling is refreshing, the sound is quick and precise...covering a full range of expressive energy.”
Bram Weijters
“Weijters' music is just a joy to listen to”
Doug Scarborough
“...Some of the most interesting, original music coming from anybody in a long, long time.”
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