John Moulder “Moulder has a distinct and exciting approach that ensures that his albums sound like nothing else out there.”
Larry Koonse “cool-toned and harmonically-advanced”
Vincent Herring “His early experiences with Lionel Hampton and Nat Adderley gave Herring the grounding all superior musicians can only ever benefit from - in his case leading to his status as one of the most respected altoists extant.”
Ted Moore “...Markowitz's effervescent piano rides spryly over Eckhardt's fluid, undulating bass lines...propelled along by Moore's bright, crisp drumwork.”
Eddie Allen “Allen makes musical choices that immediately draw you to his sphere: his compositions are loaded with what the London Observer calls crackle. ...the command of his instrument empowers him to explore places with a direct sense that takes the listener for quite a ride.”
Manzanita Quintet “...Epstein is making some pretty amazing statements rooted in world music and the avant-garde, but stretching even those parameters to create a contemporary modern sound all his own.”
Collier & Dean “Speaking of technical brilliance, the show was opened by an impressive set by vibraphonist Tom Collier and electric bassist Dan Dean.”
Marc Bernstein “...the music is driven by an intensity which is impossible not to be attracted to.”
Adam Cruz “Drummer Adam Cruz pairs flawless technique and a crystalline touch with a level of prophetic intuition that is awe-inspiring.”
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