Matija Dedic “Dedic's phrasing is unpredictable and exciting, and he has a very definite time-feel that is all his own.”
Dave Peterson “...Dave Peterson originals - full of sharp gleaming edges and shining facets and neat grooves, catchy, stick-in-the-head melodies, and a very accessible sound that reveals deeper complexities on multiple listens.”
Gabriel Guerrero “A dazzling pyrotechnician and accomplished composer...one of the most startling and rewarding piano-led debuts since Gonzalo Rubalcaba's 'Discovery: Live at Montreux.'”
Benjamin Boone “Boone's quartet of poetry albums acts like a four-movement suite .... he's created a movie-like sequence of excellent jazz music alongside literary, poetic genius not found in modern spoken word forms. It presents poetry for what it is—high art, side by side with the height of artistry in Black American music.”
The Spin Quartet “The best in the business...The Spin Quartet promises to keep audiences paying attention.”
Pamela York “It should be noted that like Lester Young, Bill Evans, and other of the more lyrical players, Pamela York plays each melody with a singer's grace and vibrancy. She plays music rather than technique.”
Christopher Icasiano “Chris Icasiano's drumming harnesses shocking power and does strange things to your perception of time and space.”
José Luiz Martins “... Martins plays with a kind of joyous deliberation that has almost been forgotten to our uber-rational culture...this album is a crowning achievement.”
Emi Meyer “...deceptively easy listening, but a tinge of maturity and melancholy courses through Meyer's best material. She deploys her affecting voice - a smooth, smoky instrument somewhere between Fiona Apple and Norah Jones - with nuance.”
Barry Greene “Barry Greene is just about one of the best; not only as a player, but also as a writer and a teacher... a world-class musician.”
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