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Top Viewed Recordings
- Liam Sillery
Priorite
(OA2 Records 22082) - Liam Sillery
Phenomenology
(OA2 Records 22061) - Idit Shner
Tuesday's Blues
(OA2 Records 22046) - Gail Pettis
May I Come In?
(OA2 Records 22038) - Chris Amemiya & Jazz Coalescence
In the Rain Shadow
(OA2 Records 22101) - Steve Owen
Stand Up Eight
(OA2 Records 22100) - Ben Winkelman Trio
The Knife
(OA2 Records 22122)
DISCOVER AN OA2 ARTIST:
Erik Skov
“Delighting in some Zen ambiguity that works its way into the grooves, this is music of discovery that never signals it's left turns ahead of time but keeps you paying rapt attention...”
Seattle Womens Jazz Orchestra
“The energy and environment created by the performers in SWOJO is very unique and real.”
Paul Pellegrin
“...a polyrhythmic force on drums and percussion...”
Charlie Apicella & Iron City
“As a player, Apicella immediately brings to mind Grant Green. He's funky, he's bluesy, and he's not afraid to get dirty at times. Apicella and band have that perfect jazz rapport that allows them to be tight as hell and play off each other beautifully.”
Gustavo Cortinas
“Cortiñas creates music that's driving, episodic and straightforward. He can swing with the best of them, but he's not bound to the swing pulse, he's just as comfortable twisting and turning in other directions...”
Stan Bock
“Stan Bock, your music is awesome!”
Jeff Jenkins
“Jenkins never seems to run out of melodic ideas! The Organization follows his lead into new musical realms, while never losing touch with the rich history of the Hammond B3 in jazz.”
John Wojciechowski
“...technically accomplished, musically profound and harmonically daring.”
AJ Kluth
“His saxophone playing exhibits a fresh voice, yet reflects an understanding of the jazz tradition. A.J. Kluth is a saxophonist with a song to sing.”
Christian Eckert
“...Christian Eckert is one of the increasingly rare breed of composers who can tell coherent stories. His supply of pithy ideas, melodies and investigations seem sheer endless. That he wanted to forge a bridge to the great Blue Note label era is clear from the first tone: warm sounds, clear linear guidance and a quartet of outstanding musicians... Without doubt a lucky strike.”
“Delighting in some Zen ambiguity that works its way into the grooves, this is music of discovery that never signals it's left turns ahead of time but keeps you paying rapt attention...”
Seattle Womens Jazz Orchestra
“The energy and environment created by the performers in SWOJO is very unique and real.”
Paul Pellegrin
“...a polyrhythmic force on drums and percussion...”
Charlie Apicella & Iron City
“As a player, Apicella immediately brings to mind Grant Green. He's funky, he's bluesy, and he's not afraid to get dirty at times. Apicella and band have that perfect jazz rapport that allows them to be tight as hell and play off each other beautifully.”
Gustavo Cortinas
“Cortiñas creates music that's driving, episodic and straightforward. He can swing with the best of them, but he's not bound to the swing pulse, he's just as comfortable twisting and turning in other directions...”
Stan Bock
“Stan Bock, your music is awesome!”
Jeff Jenkins
“Jenkins never seems to run out of melodic ideas! The Organization follows his lead into new musical realms, while never losing touch with the rich history of the Hammond B3 in jazz.”
John Wojciechowski
“...technically accomplished, musically profound and harmonically daring.”
AJ Kluth
“His saxophone playing exhibits a fresh voice, yet reflects an understanding of the jazz tradition. A.J. Kluth is a saxophonist with a song to sing.”
Christian Eckert
“...Christian Eckert is one of the increasingly rare breed of composers who can tell coherent stories. His supply of pithy ideas, melodies and investigations seem sheer endless. That he wanted to forge a bridge to the great Blue Note label era is clear from the first tone: warm sounds, clear linear guidance and a quartet of outstanding musicians... Without doubt a lucky strike.”
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