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Triocity
“...an exceptional, dynamic rhythm section...adding tension and drama to the entire album.”
Jim Knapp Orchestra
“Jim Knapp's music is full of intensity, emotion and creative textures. His music should be more known. It's among the best of orchestral jazz being written these days.”
Alison Ruble
“... a classic jazz singer ... a powerful presence”
Gregg Keplinger
“Keplinger, power personified, is captured here as never before. Better known as a guru, collector, designer, and purveyor of drums and cymbals than for his rare public performances, his fearless playing perfectly offsets Mandyck. He can be torrential, densely polyrhythmic, or the most challenging of accompanists. What he can't do is be the self-effacing routinier. Together, these two iconoclastic virtuosi open new territory, revealing a stormy, eerily beautiful musical world where they and their listeners seem remarkably at home.”
Pharez Whitted
“...few have managed to channel (Hubbard) as effectively as Pharez Whitted, who honors the late giant with his combination of intensity and technique, spank and sparkle, and that hot-cider tone.”
Brian Gephart
“...one of the more personal sounds. A bluntly assertive soloist, he builds on the styles of Joe Henderson and Sonny Rollins in staying close to the ground, harmonically, and Von Freeman in his ever-present threat to torch mainstream convention.”
Adam Cruz
“Drummer Adam Cruz pairs flawless technique and a crystalline touch with a level of prophetic intuition that is awe-inspiring.”
Larry Koonse
“cool-toned and harmonically-advanced”
Byron Vannoy
“An accomplished composer, explosively swinging drummer and self-assured improviser.”
Kelly Brand
“Brand has a flowing winsome style as a pianist and an even more impressive harmonic sense as a composer.”
“...an exceptional, dynamic rhythm section...adding tension and drama to the entire album.”
Jim Knapp Orchestra
“Jim Knapp's music is full of intensity, emotion and creative textures. His music should be more known. It's among the best of orchestral jazz being written these days.”
Alison Ruble
“... a classic jazz singer ... a powerful presence”
Gregg Keplinger
“Keplinger, power personified, is captured here as never before. Better known as a guru, collector, designer, and purveyor of drums and cymbals than for his rare public performances, his fearless playing perfectly offsets Mandyck. He can be torrential, densely polyrhythmic, or the most challenging of accompanists. What he can't do is be the self-effacing routinier. Together, these two iconoclastic virtuosi open new territory, revealing a stormy, eerily beautiful musical world where they and their listeners seem remarkably at home.”
Pharez Whitted
“...few have managed to channel (Hubbard) as effectively as Pharez Whitted, who honors the late giant with his combination of intensity and technique, spank and sparkle, and that hot-cider tone.”
Brian Gephart
“...one of the more personal sounds. A bluntly assertive soloist, he builds on the styles of Joe Henderson and Sonny Rollins in staying close to the ground, harmonically, and Von Freeman in his ever-present threat to torch mainstream convention.”
Adam Cruz
“Drummer Adam Cruz pairs flawless technique and a crystalline touch with a level of prophetic intuition that is awe-inspiring.”
Larry Koonse
“cool-toned and harmonically-advanced”
Byron Vannoy
“An accomplished composer, explosively swinging drummer and self-assured improviser.”
Kelly Brand
“Brand has a flowing winsome style as a pianist and an even more impressive harmonic sense as a composer.”
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