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Top Viewed Recordings
- Michael Zilber
Originals for the Originals
(Origin 82729) - Chris Walden Big Band
No Bounds
(Origin 82463) - Michael Waldrop Big Band
Time Within Itself
(Origin 82690) - Marcos Varela
San Ygnacio
(Origin 82711) - George Colligan
The Endless Mysteries
(Origin 82654) - New Stories
Speakin Out
(Origin 82372) - Carlos Vega
Bird's Ticket
(Origin 82708)
DISCOVER AN ORIGIN ARTIST:
Upper Left Trio
“Upper Left Trio can boast being one of the more articulate and thoughtful new trios to emerge in the mainstream in the 21st century.”
Scenes
“Considerably absorbing... their rapport has reached an enviable tightness. Dynamically astute and rhythmically sensitive, this is very satisfying music, the kind of interactive Jazz that doesn't hit you over the head as much as insinuate itself into your consciousness.”
Gregg Keplinger
“Keplinger, power personified, is captured here as never before. Better known as a guru, collector, designer, and purveyor of drums and cymbals than for his rare public performances, his fearless playing perfectly offsets Mandyck. He can be torrential, densely polyrhythmic, or the most challenging of accompanists. What he can't do is be the self-effacing routinier. Together, these two iconoclastic virtuosi open new territory, revealing a stormy, eerily beautiful musical world where they and their listeners seem remarkably at home.”
Greta Matassa
“Greta Matassa's singing is touched by genius.”
Pete Christlieb
“... among the worlds best at what he does...”
Marius Nordal
“This is mature music of the highest intelligence and emotional power and can be deeply enjoyed by anyone willing to really listen.”
John Bishop
“One can hear many influences in Bishop's playing, including more than a touch of Elvin, but he is clearly an original voice...”
Trio East
“Each brings a singular skill and presence...”
Rick Mandyck
“Mandyck has an imagination and range of saxophone vocabulary, from slurs and screams to tender lyricism, that match any player anywhere.”
Anne Drummond
“...(Drummond's) fine technique is imbued with spirit and imagination.”
“Upper Left Trio can boast being one of the more articulate and thoughtful new trios to emerge in the mainstream in the 21st century.”
Scenes
“Considerably absorbing... their rapport has reached an enviable tightness. Dynamically astute and rhythmically sensitive, this is very satisfying music, the kind of interactive Jazz that doesn't hit you over the head as much as insinuate itself into your consciousness.”
Gregg Keplinger
“Keplinger, power personified, is captured here as never before. Better known as a guru, collector, designer, and purveyor of drums and cymbals than for his rare public performances, his fearless playing perfectly offsets Mandyck. He can be torrential, densely polyrhythmic, or the most challenging of accompanists. What he can't do is be the self-effacing routinier. Together, these two iconoclastic virtuosi open new territory, revealing a stormy, eerily beautiful musical world where they and their listeners seem remarkably at home.”
Greta Matassa
“Greta Matassa's singing is touched by genius.”
Pete Christlieb
“... among the worlds best at what he does...”
Marius Nordal
“This is mature music of the highest intelligence and emotional power and can be deeply enjoyed by anyone willing to really listen.”
John Bishop
“One can hear many influences in Bishop's playing, including more than a touch of Elvin, but he is clearly an original voice...”
Trio East
“Each brings a singular skill and presence...”
Rick Mandyck
“Mandyck has an imagination and range of saxophone vocabulary, from slurs and screams to tender lyricism, that match any player anywhere.”
Anne Drummond
“...(Drummond's) fine technique is imbued with spirit and imagination.”
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