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Roy Assaf & Eddy Khaimovich Quartet
“Roy Assaf is an amazing pianist”
Brian Gephart
“...one of the more personal sounds. A bluntly assertive soloist, he builds on the styles of Joe Henderson and Sonny Rollins in staying close to the ground, harmonically, and Von Freeman in his ever-present threat to torch mainstream convention.”
Piet Verbist
“An album that has all types of swagger and sway. Bassist Verbist creates a groove that is all about Serious Cool, yet undeniably thoughtful and even cerebral at times.”
George Colligan
“One of the best kept secrets in jazz...”
Geof Bradfield
“Geof Bradfield's writing is a revelation. Not only does it have much the same power and precision of his soloing; it also shows a highly refined use of the limited instrumentation, which allows him to create orchestral textures from just his sextet.”
Alex Graham
“Some of the great alto players, Charlie Parker, Cannonball Adderley, Phil Woods and even a touch of Johnny Hodges can be discerned as he works to extend the parameters of the horn...”
Sarah Partridge
“Partridge's voice suggests Anita O'Day with her bedrock swing propelling scat improvisations.”
Diego Barber
“Barber approaches the guitar with precision and fluidity - and with great sensitivity....He's adept at coaxing melodies embedded with an air of mystery and mischief.”
Ted Moore
“...Markowitz's effervescent piano rides spryly over Eckhardt's fluid, undulating bass lines...propelled along by Moore's bright, crisp drumwork.”
“Roy Assaf is an amazing pianist”
Brian Gephart
“...one of the more personal sounds. A bluntly assertive soloist, he builds on the styles of Joe Henderson and Sonny Rollins in staying close to the ground, harmonically, and Von Freeman in his ever-present threat to torch mainstream convention.”
Piet Verbist
“An album that has all types of swagger and sway. Bassist Verbist creates a groove that is all about Serious Cool, yet undeniably thoughtful and even cerebral at times.”
George Colligan
“One of the best kept secrets in jazz...”
Geof Bradfield
“Geof Bradfield's writing is a revelation. Not only does it have much the same power and precision of his soloing; it also shows a highly refined use of the limited instrumentation, which allows him to create orchestral textures from just his sextet.”
Alex Graham
“Some of the great alto players, Charlie Parker, Cannonball Adderley, Phil Woods and even a touch of Johnny Hodges can be discerned as he works to extend the parameters of the horn...”
Sarah Partridge
“Partridge's voice suggests Anita O'Day with her bedrock swing propelling scat improvisations.”
Diego Barber
“Barber approaches the guitar with precision and fluidity - and with great sensitivity....He's adept at coaxing melodies embedded with an air of mystery and mischief.”
Ted Moore
“...Markowitz's effervescent piano rides spryly over Eckhardt's fluid, undulating bass lines...propelled along by Moore's bright, crisp drumwork.”
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