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Peterson-Kohler Collective
“...Dave Peterson originals (are) full of sharp gleaming edges and shining facets and neat grooves, catchy, stick-in-the-head melodies, and a very accessible sound that reveals deeper complexities on multiple listens.”
Phil Kelly
“Phil Kelly...has once again assembled an all-star collection of sidemen and soloists who can sight-read and improvise from some of the most complex charts in all Jazzdom...unquestionably the top arranger in the Northwest, and possibly the rest of the USA.”
Pete McCann
“...McCann's prowess as a soloist, fluid and expressive, harmoniously blending elements both classic and contemporary, and epitomizing the essence of his musical dexterity.”
Jamie Findlay
“...This nimble fingered guitarist delivers a rare treat; an acoustic jazz album that's both sweetly melodic and hot.”
Ernie Watts
“He is one of the greatest living tenor saxophonists, at the top of his game.”
Dmitri Matheny
“Dmitri Matheny is a jazz treasure. The lyrical Matheny has impressive chops, but it's his warmth and soulfulness that win you over.”
Randy Halberstadt
“I love hearing Randy play. He has humor, drama, conviction, and a sense of purpose in his approach to music.”
Billy Mintz
“[Mintz's solo performances are] a form of holy worship for many musicians and drummers. Forget what you know about the drums and solo drums. This is no boom-chakka-lakka affair. Mintz is painterly and understated in his singular approach to music.”
John Gross
“Gross' playing is deeply, profoundly human, fat and sensuous yet hard and jagged, inflamed with a gleeful audacity.”
Kelly Sill
“... (Sill's) oceanic tone carries on a Chicago bass tradition that starts with Milt Hinton and runs through such artists as Wilbur Ware and Rufus Reid...”
“...Dave Peterson originals (are) full of sharp gleaming edges and shining facets and neat grooves, catchy, stick-in-the-head melodies, and a very accessible sound that reveals deeper complexities on multiple listens.”
Phil Kelly
“Phil Kelly...has once again assembled an all-star collection of sidemen and soloists who can sight-read and improvise from some of the most complex charts in all Jazzdom...unquestionably the top arranger in the Northwest, and possibly the rest of the USA.”
Pete McCann
“...McCann's prowess as a soloist, fluid and expressive, harmoniously blending elements both classic and contemporary, and epitomizing the essence of his musical dexterity.”
Jamie Findlay
“...This nimble fingered guitarist delivers a rare treat; an acoustic jazz album that's both sweetly melodic and hot.”
Ernie Watts
“He is one of the greatest living tenor saxophonists, at the top of his game.”
Dmitri Matheny
“Dmitri Matheny is a jazz treasure. The lyrical Matheny has impressive chops, but it's his warmth and soulfulness that win you over.”
Randy Halberstadt
“I love hearing Randy play. He has humor, drama, conviction, and a sense of purpose in his approach to music.”
Billy Mintz
“[Mintz's solo performances are] a form of holy worship for many musicians and drummers. Forget what you know about the drums and solo drums. This is no boom-chakka-lakka affair. Mintz is painterly and understated in his singular approach to music.”
John Gross
“Gross' playing is deeply, profoundly human, fat and sensuous yet hard and jagged, inflamed with a gleeful audacity.”
Kelly Sill
“... (Sill's) oceanic tone carries on a Chicago bass tradition that starts with Milt Hinton and runs through such artists as Wilbur Ware and Rufus Reid...”
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